Interactive feature registration is directed by using the host program’s splines. When Twixtor exhibits tracking problems, you can guide Twixtor by simply creating and animating shapes to show Twixtor where objects are actually moving. (Not available for Catalyst Edit, Hitfilm, Movie Studio, Natron, Nucoda, Vegas Pro Spline Guidance By using the tracking points you can explicitly tell Twixtor where a pixel moves from one frame to the next in order to guide Twixtor’s calculation of motion vectors. Up to 12 user-defined points can be specified to help guide Twixtor’s motion estimation. Consequently, not available for Smoke or Flame. This is especially useful for CG, masked, and/or keyed material. (Not Available for Catalyst Edit, Hitfilm, Movie Studio, Natron, Nucoda, Vegas Pro) RGB+A TrackingĪn option that uses the alpha channel to help to track dark images with mattes. Twixtor then tracks each layer separately for improved results. Support for foreground and background separation using a specified matte. Twixtor Pro adds these features: Object Separation Pro license also works with the regular product of any supported host. Twixtor Pro works with After Effects, Final Cut Pro, Flame, Smoke, Media Composer Natron, Nuke, Premiere Pro, Scratch, and Silhouette. (Not available for DaVinci Resolve, Hitfilm, Natron, Nucoda, Nuke, Scratch, Silhouette) Audio RemappingĪbility to remap audio and video using AE’s time remapping tools but using Twixtor “under the hood” (Only available in After Effects) GPU accelerated Twixtor Pro Feature Specs (Not available for DaVinci Resolve) Interlaced Processing Support for marking material so that Twixtor does not motion-interpolate across a cut. (Not available for DaVinci Resolve, Movie Studio) Cuts Marking In many cases, footage that was difficult to track becomes much more well-behaved upon retiming. Option to automatically enhance dark imagery or imagery with poorly defined edges. Motion BlurĬontains an option to add or remove motion blur, as appropriate. Twixtor tracks 360 footage and retimes properly taking into account the connectedness of the edges of the sides as well as the top and bottom. (Not available for DaVinci Resolve, FCPX, Flame, Smoke, Fusion Studio, Hitfilm, Natron, Nucoda, Nuke, Scratch, Silhouette) Retime 360 video Frame Rate Conversionįrame rate conversions made easy. Keyframable retiming for complete control on a frame-by-frame basis. Retime a sequence made possible using a single speed parameter. Twixtor Regular works with After Effects, Catalyst Edit, DaVinci Resolve, Final Cut Pro, Media Composer, Movie Studio, Premiere Pro, and Vegas Pro. RE:Vision Effects Twixtor Pro Feature Specs This means less tearing and stretching of objects as they cross or go out of the frame. Twixtor is more accurate and exhibits fewer artifacts when there are objects crossing in the scene. The option to control retiming on a frame-by-frame basis is always available! World-class motion estimation In order to achieve unparalleled image quality, RE:Vision Effects developed proprietary tracking technology that calculates motion for each individual pixel, enabling Twixtor to synthesize unique new frames by warping and interpolating frames of the original sequence. If you want to slow down time so that one second of real time takes 10 seconds to play back then you either have to shoot at 10 times the normal frame rate or employ Time Remapping, Time Stretch, or Twixtor in AE go create the frames that are not there and make the motion look smooth.RE:Vision Effects Twixtor Pro Highlights Visually stunning results If you shot at 50 and you want to slow it down and see every frame then and want your comp to be 24 (23.976 would probably be a better choice) and you want to see every glorious frame then interpret the footage as 24 and 1 second of real time will take approximately 2 seconds to playback. Twixtor can be very confusing so you need to spend at least an hour studying the manual if you are trying to do significant speed changes to the footage. If the new frame rate does not match the comp frame rate then you are going to get blended, repeated, or missing frames. You do that by going to File>Interpret Footage and picking a new frame rate. If you want to change the time of the playback of any footage you have to change the frame rate of that footage. Put a 200 fps shot that is 20 seconds long and is interpreted as 200 fps in a 10 fps comp and it will still play back in real time and take be 20 seconds long. Put a 20-second clip in a comp that is 30 fps and it will take 20 seconds to playback, you will just see every other frame. The frame rate of the comp does not change the playback time of the footage. You need to spend some serious time learning about frame rates.
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